The work shown at Antoni Pinyol’s gallery belong to a block named Crippled Symmetries, in which the author has been working since early 2007.
Crippled Symmetries title is a homonym of the composer Morton Feldman’s work (of whom it is said the Schubert of the twentieth century) which in turn is often based on the American abstract painting. This constant and obsessive use of symmetry is due to an attempt to build more direct and less narrative images, of an as immediate as possible presence and as powerful and forceful. Its slight “clipping”, which begins by being a non-geometric and accurate symmetry, but organic, physical, speaks perhaps about an impossibility of perfection, or rather the purpose of making a virtue of the error and a working method.
Thus, one of the key aspects in the author’s work is, for several years, the research on the relationship between the pictorial and the musical, which leads him to make a kind of painting very scenic, considering the theatrical space as a meeting place between music and image. It is, we should say, one of the centers and starters of this work.

Abstract illusion of inner vision is the thematic basis of this oil painting collection began in 2004 and still in process.
Highlight certain structures and thoughts connections, feelings and human sensibilities form the focus of this work. The relationship between illusion and reality and the possibility of a new integration between them, constitutes the heart of the matter.