The artist presents in his work the artistic treatment of the machine as a component of the reality of the moment.
In this sense, the series of modules of the sculptor Neus Colet contain repetition of identical shapes that can be easily associated with mechanical parts of our common environment.
The small size of the modules and their attachment to minimalism can remind us of the industrial products that aspire to the ideal geometry and express planning controlled industrial design.
The artist here takes up the philosophical idea of pure forms using the circle, beginning and end in itself. She works with the full and the empty, with what is and what is interpreted.